Audrey Hepburn Biography

Audrey Hepburn Biography

Audrey Hepburn Biography

Conceived 

Audrey Kathleen Ruston 

4 May 1929 

Ixelles, Brussels, Belgium 

Kicked the bucket 

20 January 1993 (matured 63) 

Tolochenaz, Vaud, Switzerland 

Resting place 

Tolochenaz Cemetery, Tolochenaz, Vaud 

Identity 

English 

Occupation 

Entertainer (1948–1989) 

Compassionate (1954–1992) 

Prominent work 

Full rundown 

Spouse(s) 

Mel Ferrer 

​ 

​(m. 1954; div. 1968)​ 

Andrea Dotti 

​ 

​(m. 1969; div. 1982)​ 

Partner(s) 

Robert Wolders 

(1980–1993; her passing) 

Youngsters 

Sean Hepburn Ferrer 

Luca Dotti 

Parent(s) 

Joseph Victor Anthony Ruston or Hepburn-Ruston 

Noble Ella van Heemstra 

Family members 

Noble Aarnoud van Heemstra 

(maternal granddad) 

Emma Ferrer 

(granddaughter) 

Grants 

Full rundown

Brought into the world in Ixelles, Brussels, Hepburn spent pieces of her adolescence in Belgium, England, and the Netherlands. She considered expressive dance with Sonia Gaskell in Amsterdam starting in 1945 and with Marie Rambert in London beginning in 1948. She started proceeding as an ensemble young lady in West End melodic theater creations and afterward had minor appearances in a few movies. Hepburn featured in the 1951 Broadway play Gigi in the wake of being spotted by the French writer Colette, on whose work the play was based.[3] 

She rose to fame in the lighthearted comedy Roman Holiday (1953), close by Gregory Peck, for which she was the primary entertainer to win an Oscar, a Golden Globe Award, and a BAFTA Award for a solitary exhibition. That very year Hepburn won a Tony Award for Best Lead Actress in a Play for her exhibition in Ondine. She proceeded to star in various effective movies, for example, Sabrina (1954), in which Humphrey Bogart and William Holden vie for her friendship; Funny Face (1957) a melodic in which she sang her own tune parts; the show The Nun's Story (1959); the rom-com Breakfast at Tiffany's (1961); the thrill ride sentiment Charade (1963), inverse Cary Grant; and the melodic My Fair Lady (1964). In 1967 she featured in the spine chiller Wait Until Dark accepting Academy Award, Golden Globe and BAFTA assignments. After that she just sometimes showed up in movies, one being Robin and Marian (1976) with Sean Connery. Her last recorded exhibitions were in the 1990 narrative TV arrangement Gardens of the World with Audrey Hepburn. 

She won three BAFTA Awards for Best British Actress in a Leading Role. In acknowledgment of her movie profession, she got BAFTA's Lifetime Achievement Award, the Golden Globe Cecil B. DeMille Award, the Screen Actors Guild Life Achievement Award, and the Special Tony Award. She stays one of just 16 individuals who have won Academy, Emmy, Grammy, and Tony Awards. 

Sometime down the road, she gave quite a bit of her chance to UNICEF, to which she had contributed since 1954. At that point, she worked in the absolute most unfortunate networks of Africa, South America, and Asia somewhere in the range of 1988 and 1992. In December 1992, she got the Presidential Medal of Freedom in acknowledgment of her work as a UNICEF Goodwill Ambassador. After a month, she kicked the bucket of appendiceal malignancy at her home in Switzerland at 63 years old.

Family and youth (1929–1938) Edit 

Hepburn was conceived Audrey Kathleen Ruston or, later, Hepburn-Ruston[4] on 4 May 1929 at number 48 Rue Keyenveld in Ixelles, Brussels, Belgium.[5] She was referred to her family as Adriaantje. 

Hepburn's mom, Baroness Ella van Heemstra (12 June 1900 – 26 August 1984), was a Dutch aristocrat. She was the girl of Baron Aarnoud van Heemstra, who filled in as Mayor of Arnhem from 1910 to 1920 and as Governor of Dutch Suriname from 1921 to 1928, and Baroness Elbrig Willemine Henriette van Asbeck (1873–1939).[7] At the age of nineteen, Ella had hitched Jonkheer Hendrik Gustaaf Adolf Quarles van Ufford, an oil leader situated in Batavia, Dutch East Indies, where they consequently lived.[8] They had two children, Jonkheer Arnoud Robert Alexander Quarles van Ufford (1920–1979) and Jonkheer Ian Edgar Bruce Quarles van Ufford (1924–2010), preceding separating in 1925.[9][10] 

Her dad, Joseph Victor Anthony Ruston (21 November 1889 – 16 October 1980), was a British subject brought into the world in Auschitz, Bohemia, Austria-Hungary.[11][b] He was the child of Victor John George Ruston, of British and Austrian background[12] and Anna Wels, who was of Austrian inception and brought into the world in Kovarce.[13] In 1923–1924, Joseph had been an Honorary British Consul in Semarang in the Dutch East Indies,[14] and preceding his union with Hepburn's mom, he had been hitched to Cornelia Bisschop, a Dutch heiress.[11][9] Although brought into the world with the last name Ruston, he later twofold barrelled his name to the more "noble" Hepburn-Ruston, maybe at Ella's insistence,[15] as he erroneously trusted himself slipped from James Hepburn, third spouse of Mary, Queen of Scots.[12][9] 

Hepburn's folks were hitched in Batavia, Dutch East Indies, in September 1926.[8] At the time, Ruston worked for an exchanging organization, however not long after the marriage, the couple moved to Europe, where he started working for a credit organization; purportedly tin traders MacLaine, Watson and Company in London and afterward Brussels. [6] After a year in London, they moved to Brussels, where he had been alloted to open a branch office.[8][16] After three years spent going between Brussels, Arnhem, The Hague and London, the family gotten comfortable the rural Brussels region of Linkebeek in 1932.[8][17] Hepburn's youth was protected and privileged.[8] because of her worldwide foundation and going with her family because of her dad's job,[18][c] she educated six dialects: Dutch and English from her folks, and later shifting levels of French, German, Spanish, and Italian. 

During the 1930s, Hepburn's folks enrolled and gathered gifts for the British Union of Fascists.[19] Joseph left the family suddenly in 1935 after a "scene" in Brussels when Adriaantje (as she was known in the family) was six; later she frequently discussed the impact on an offspring of being "unloaded" as "youngsters need two parents".[20] Joseph moved to London, where he turned out to be all the more profoundly associated with Fascist action and never visited his little girl abroad.[21] Hepburn later declared that her dad's flight was "the most awful accident of my life".[8][22] 

That very year, her mom moved with Hepburn to her family's bequest in Arnhem; her stepbrothers Alex and Ian (at that point 15 and 11) were shipped off The Hague to live with family members. Joseph needed her to be instructed in England,[23] so in 1937, Hepburn was shipped off live in Kent, England, where she, known as Audrey Ruston or "Little Audrey", was taught at a little free school in Elham.[24][25] 

Hepburn's folks authoritatively separated in June 1939.[citation needed] In the 1960s, Hepburn restored contact with her dad in the wake of finding him in Dublin through the Red Cross; despite the fact that he remained genuinely segregated, Hepburn upheld him monetarily until his passing.

Encounters during World War II (1939–1945) Edit 

See likewise: Dutch starvation of 1944–45 

After Britain proclaimed battle on Germany in September 1939, Hepburn's mom moved her girl back to Arnhem with the expectation that, as during the First World War, the Netherlands would stay unbiased and be saved a German assault. While there, Hepburn went to the Arnhem Conservatory from 1939 to 1945. She had started taking artful dance exercises during her last a very long time at life experience school, and kept preparing in Arnhem under the tutelage of Winja Marova, turning into her "star pupil".[8] After the Germans attacked the Netherlands in 1940, Hepburn utilized the name Edda van Heemstra, in light of the fact that an "English-sounding" name was viewed as hazardous during the German occupation. Her family was significantly influenced by the occupation, with Hepburn later expressing that "had we realized that we would have been involved for a very long time, we may have all shot ourselves. We figured it very well may be over one week from now… a half year… one year from now… that is the way we got through".[8] In 1942, her uncle, Otto van Limburg Stirum (spouse of her mom's more established sister, Miesje), was executed in counter for a demonstration of treachery by the obstruction development; while he had not been engaged with the demonstration, he was focused because of his family's unmistakable quality in Dutch society.[8] Hepburn's stepbrother Ian was expelled to Berlin to work in a German work camp, and her other relative Alex sought total isolation to evade a similar destiny 

After her uncle's passing, Hepburn, Ella and Miesje left Arnhem to live with her granddad, Baron Aarnoud van Heemstra, in close by Velp.[8] Around that time Hepburn performed quiet dance exhibitions to fund-raise for the Dutch obstruction effort.[27] It was for some time accepted that she took an interest in the Dutch opposition itself,[8] yet in 2016 the Airborne Museum 'Hartenstein' revealed that after broad examination it had not discovered any proof of such activities.[28] However, a 2019 book by writer Robert Matzen gave proof that she had upheld the opposition by giving "underground shows" to fund-raise, conveying the underground paper, and taking messages and food to brought down Allied flyers stowing away in the forests north of Velp. She likewise chipped in at an emergency clinic that was the focal point of opposition exercises in Velp, and her family briefly shrouded a paratrooper in their home during the Battle of Arnhem.[29][30] notwithstanding other horrendous accidents, she saw the transportation of Dutch Jews to inhumane imprisonments, later expressing that "more than once I was at the station seeing trainloads of Jews being shipped, seeing every one of these countenances over the highest point of the cart. I recollect, pointedly, one young man remaining with his folks on the stage, extremely pale, fair, wearing a coat that was excessively huge for him, and he stepped on the train. I was a kid noticing a child."[31] 

After the Allied arriving on D-Day, everyday environments deteriorated, and Arnhem was thusly intensely harmed during Operation Market Garden. During the Dutch starvation that continued in the colder time of year of 1944, the Germans obstructed the resupply courses of the Dutch public's as of now restricted food and fuel supplies as reprisal for rail line strikes that were held to thwart German occupation. Like others, Hepburn's family turned to making flour out of tulip bulbs to prepare cakes and biscuits;[32][33] she created intense pallor, respiratory issues and oedema because of malnutrition.[34] The Van Heemstra family was additionally genuinely monetarily influenced by the occupation, during which large numbers of their properties, remembering their vital home for Arnhem, were severely harmed or obliterated

Amusement career

Artful dance contemplates and early acting jobs (1945–1952

After the war finished in 1945, Hepburn moved with her mom and kin to Amsterdam, where she started artful dance preparing under Sonia Gaskell, a main figure in Dutch artful dance, and Russian educator Olga Tarasova.[36] 

As the family's fortunes had been lost during the war, Ella upheld them by functioning as a cook and servant for a well off family.[37] Hepburn made her film debut playing an air attendant in Dutch in Seven Lessons (1948), an instructive travel film made by Charles van der Linden and Henry Josephson.[38] Later that year, Hepburn moved to London subsequent to tolerating an artful dance grant with Ballet Rambert, which was then situated in Notting Hill. [39][d] She upheld herself with low maintenance function as a model, and dropped "Ruston" from her family name. After she was told by Rambert that notwithstanding her ability, her tallness and powerless constitution (the eventual outcome of wartime lack of healthy sustenance) would make the status of prima ballet performer unreachable, she chose to focus on acting.[40][41][42] 

While Ella worked in humble responsibilities to help them, Hepburn showed up as a tune girl[43] in the West End melodic theater revues High Button Shoes (1948) at the London Hippodrome, and Cecil Landeau's Sauce Tartare (1949) and Sauce Piquante (1950) at the Cambridge Theater. During her dramatic work, she took statement exercises with entertainer Felix Aylmer to build up her voice.[44] After being spotted by a projecting chief while acting in Sauce Piquante, Hepburn was enlisted as an independent entertainer with the Associated British Picture Corporation (ABPC). She showed up in the BBC Television play The Silent Village,[45] and in minor jobs in the movies One Wild Oat, Laughter in Paradise, Young Wives' Tale, and The Lavender Hill Mob (each of the 1951). She was projected in her first significant supporting part in Thorold Dickinson's The Secret People (1952), as a monstrous ballet performer, playing out every last bit of her own moving sequences.[46] 

Hepburn was then offered a little job in a film being shot in both English and French, Monte Carlo Baby (French: Nous Irons à Monte Carlo, 1952), which was recorded in Monte Carlo. Adventitiously, French author Colette was at the Hôtel de Paris in Monte Carlo during the shooting, and chose to project Hepburn in the lead spot in the Broadway play Gigi.[47] Hepburn went into practices having never spoken in front of an audience, and required private coaching.[48] When Gigi opened at the Fulton Theater on 24 November 1951, she got acclaim for her exhibition, in spite of analysis that the stage variant was sub-par compared to the French film adaptation.[49] Life considered her a "hit",[49] while The New York Times expressed that "her quality is so winning thus right that she is the accomplishment of the evening".[48] Hepburn likewise got a Theater World Award for the role.[50] The play ran for 219 exhibitions, shutting on 31 May 1952,[50] prior to going on visit which started 13 October 1952 in Pittsburgh and visited Cleveland, Chicago, Detroit, Washington, D. C., and Los Angeles, prior to shutting on 16 May 1953 in San Francisco

1988–1989 

In August 1988, Hepburn went to Turkey on an inoculation crusade. She called Turkey "the loveliest model" of UNICEF's capacities. Of the outing, she stated, "The military gave us their trucks, the fishmongers gave their carts for the immunizations, and once the date was set, it required ten days to inoculate the entire country. Not bad."[90] In October, Hepburn went to South America. Of her encounters in Venezuela and Ecuador, Hepburn told the United States Congress, "I saw small mountain networks, ghettos, and shantytowns get water frameworks unexpectedly by some wonder – and the supernatural occurrence is UNICEF. I watched young men fabricate their own school building with blocks and concrete given by UNICEF."[citation needed] 

Hepburn visited Central America in February 1989, and met with pioneers in Honduras, El Salvador, and Guatemala. In April, she visited Sudan with Wolders as a feature of a mission called "Activity Lifeline". In light of common war, food from help organizations had been cut off. The mission was to ship food to southern Sudan. Hepburn stated, "I saw however one glaring truth: These are not catastrophic events but rather man-made misfortunes for which there is just one man-made arrangement – peace."[90] In October 1989, Hepburn and Wolders went to Bangladesh. John Isaac, an UN photographic artist, stated, "Regularly the children would have flies all over them, yet she would simply go embrace them. I had never seen that. Others had a specific measure of dithering, however she would simply snatch them. Kids would just come up to hold her hand, contact her – she resembled the Pied Piper."[8] 

1990–1992 Edit 

In October 1990, Hepburn went to Vietnam, with an end goal to team up with the public authority for public UNICEF-upheld inoculation and clean water programs. In September 1992, four months before she kicked the bucket, Hepburn went to Somalia. Calling it "prophetically catastrophic", she stated, "I strolled into a bad dream. I have seen starvation in Ethiopia and Bangladesh, yet I have seen not at all like this – such a lot of more terrible than I might actually have envisioned. I wasn't ready for this."[90][91] Though scarred by what she had seen, Hepburn actually had trust. "Dealing with kids has nothing to do with governmental issues. I think maybe with time, rather than there being a politicization of compassionate guide, there will be a humanisation of governmental issues." 

Recognition Edit 

US president George H. W. Bramble gave Hepburn the Presidential Medal of Freedom in acknowledgment of her work with UNICEF, and the Academy of Motion Picture Arts and Sciences after death granted her the Jean Hersholt Humanitarian Award for her commitment to humanity.[92][93] 

In 2002, at the United Nations Special Session on Children, UNICEF regarded Hepburn's tradition of philanthropic work by revealing a sculpture, "The Spirit of Audrey", at UNICEF's New York base camp. Her administration for youngsters is likewise perceived through the United States Fund for UNICEF's Audrey Hepburn Society

Individual life 

Relationships, connections, and youngsters 

In 1952, Hepburn got drawn in to industrialist James Hanson,[96] whom she had known since her initial days in London. She called it "all consuming, instant adoration", yet in the wake of making them marry dress fitted and the date set, she chose the marriage would not work on the grounds that the requests of their professions would keep them separated the vast majority of the time.[97] She gave a public assertion about her choice, saying "When I get hitched, I need to be truly married".[98] In the mid 1950s, she additionally dated future Hair maker Michael Butler.[99] 

At a mixed drink party facilitated by common companion Gregory Peck, Hepburn met American entertainer Mel Ferrer, and proposed that they star together in a play.[57][100] The gathering drove them to team up in Ondine, during which they started a relationship. After eight months, on 25 September 1954, they were hitched in Bürgenstock, Switzerland,[101] while getting ready to star together in the film War and Peace (1955). 

She and Ferrer had a child, Sean Hepburn Ferrer. 

Regardless of the demand from tattle segments that their marriage would not last, Hepburn guaranteed that she and Ferrer were indistinguishable and content, however she conceded that he had a terrible temper.[102] Ferrer was supposed to be excessively controlling, and had been alluded to by others similar to her "Svengali" – an allegation that Hepburn giggled off.[103] William Holden was cited as saying, "I think Audrey permits Mel to think he impacts her." After a 14-year marriage, the couple separated in 1968 

Hepburn met her subsequent spouse, Italian therapist Andrea Dotti, on a Mediterranean journey with companions in June 1968. She accepted she would have more kids and conceivably quit working. They wedded on 18 January 1969, and their child Luca Andrea Dotti was brought into the world on 8 February 1970. While pregnant with Luca in 1969, Hepburn was more cautious, resting for quite a long time prior to conveying the child by means of cesarean area. Dotti was untrustworthy and she had a sentimental relationship with entertainer Ben Gazzara during the shooting of the film Bloodline (1979).[105] The Dotti-Hepburn marriage endured thirteen years and was broken up in 1982.[106] 

From 1980 until her demise, Hepburn was involved with Dutch entertainer Robert Wolders,[33] the single man of entertainer Merle Oberon. She had met Wolders through a companion during the later long stretches of her subsequent marriage. In 1989, she called the nine years she had gone through with him the most joyful long periods of her life, and expressed that she thought of them as hitched, simply not officially.[107] 

Ailment and passing 

After getting back from Somalia to Switzerland in late September 1992, Hepburn started experiencing stomach torment. While introductory clinical trials in Switzerland had uncertain outcomes, a laparoscopy performed at the Cedars-Sinai Medical Center in Los Angeles toward the beginning of November uncovered an uncommon type of stomach malignancy having a place with a gathering of tumors known as pseudomyxoma peritonei.[108] Having developed gradually more than quite a while, the disease had metastasised as a flimsy covering over her small digestive tract. After medical procedure, Hepburn started chemotherapy.[109] 

Hepburn and her family gotten back to Switzerland to commend her last Christmas. As she was all the while recuperating from a medical procedure, she couldn't fly on business airplane. Her long-term companion, style architect Hubert de Givenchy, orchestrated socialite Rachel Lambert "Rabbit" Mellon to send her private Gulfstream stream, loaded up with blossoms, to take Hepburn from Los Angeles to Geneva. She spent her last days in hospice care at her home in Tolochenaz, Vaud and was sometimes all around ok to go for strolls in her nursery, yet slowly turned out to be more restricted to bedrest.[110] 

On the night of 20 January 1993, Hepburn passed on in her rest at home. After her passing, Gregory Peck went on camera[where?] and mournfully presented the sonnet "Ceaseless Love" by Rabindranath Tagore.[citation needed] Funeral administrations were held at the town church of Tolochenaz on 24 January 1993. Maurice Eindiguer, a similar minister who marry Hepburn and Mel Ferrer and absolved her child Sean in 1960, directed her memorial service, while Prince Sadruddin Aga Khan of UNICEF conveyed a commendation. Numerous relatives and companions went to the burial service, including her children, accomplice Robert Wolders, stepbrother Ian Quarles van Ufford, exes Andrea Dotti and Mel Ferrer, Hubert de Givenchy, chiefs of UNICEF, and individual entertainers Alain Delon and Roger Moore.[111] Flower courses of action were shipped off the memorial service by Gregory Peck, Elizabeth Taylor, and the Dutch imperial family.[112] Later around the same time, Hepburn was entombed at the Tolochenaz Cemetery.[113] 

Heritage 

Hepburn's inheritance has persevered through long after her demise. The American Film Institute named Hepburn third among the Greatest Female Stars of All Time. She is one of few performers who have won Academy, Emmy, Grammy and Tony Awards. She won a record three BAFTA Awards for Best British Actress in a Leading Role. In her last years, she stayed a noticeable presence in the film world. She got a recognition from the Film Society of Lincoln Center in 1991 and was a regular moderator at the Academy Awards. She got the BAFTA Lifetime Achievement Award in 1992. She was the beneficiary of various post mortem grants including the 1993 Jean Hersholt Humanitarian Award and serious Grammy and Emmy Awards. She has been the subject of numerous accounts since her demise including the 2000 sensation of her life named The Audrey Hepburn Story which featured Jennifer Love Hewitt and Emmy Rossum as the more established and more youthful Hepburn respectively.[114] In January 2009, Hepburn was named on The Times' rundown of the main 10 British entertainers of all time.[115] However, in 2010 Emma Thompson remarked that Hepburn "can't sing and she can't actually act"; a few people concurred, others did not.[116] Hepburn's child Sean later said "My mom would be the principal individual to state that she wasn't the best entertainer on the planet. Be that as it may, she was a celebrity. 

Hepburn's picture is broadly utilized in promoting efforts across the world. In Japan, a progression of plugs utilized colourised and carefully improved clasps of Hepburn in Roman Holiday to publicize Kirin dark tea. In the United States, Hepburn was included in a 2006 Gap business which utilized clasps of her moving from Funny Face, set to AC/DC's "Back in Black", with the slogan "It's Back – The Skinny Black Pant". To praise its "Keep it Simple" crusade, the Gap made a sizeable gift to the Audrey Hepburn Children's Fund.[118] In 2012, Hepburn was among the British social symbols chose by craftsman Sir Peter Blake to show up in another rendition of his most popular work of art – the Beatles' Sgt. Pepper's Lonely Hearts Club Band collection cover – to praise the British social figures of his life that he most admires.[119] In 2013, a PC controlled portrayal of Hepburn was utilized in a TV advert for the British chocolate bar Galaxy.[120][121] On 4 May 2014, Google included a doodle on its landing page on what might have been Hepburn's 85th birthday.[122] 

Sean Ferrer established the Audrey Hepburn Children's Fund[123] in memory of his mom soon after her passing. The US Fund for UNICEF additionally established the Audrey Hepburn Society:[124] led by Luca Dotti, it observes UNICEF's greatest givers and has raised nearly US$100,000,000 to date. Dotti additionally became benefactor of the Pseudomyxoma Survivor noble cause, committed to offering help to patients of the uncommon malignancy Hepburn experienced, pseudomyxoma peritonei,[125] and the uncommon sickness represetative since 2014 and for 2015 in the interest of European Organization for Rare Diseases.[126] 

Hepburn's child Sean said that he was raised in the field as an ordinary kid, not in Hollywood and without a Hollywood perspective that makes famous actors and their families put some distance between the real world. There was no screening room in the house. He said that his mom didn't pay attention to herself, and used to state "I pay attention to what I do, yet I don't pay attention to myself 

Hepburn was known for her design decisions and particular look, to the degree that columnist Mark Tungate has portrayed her as a conspicuous brand.[127] When she originally rose to fame in Roman Holiday (1953), she was viewed as an elective female ideal that requested more to ladies than men, in contrast with the breathtaking and more sexual Grace Kelly and Elizabeth Taylor.[128][129] With her short haircut, thick eyebrows, thin body, and "gamine" looks, she introduced a look which young ladies discovered simpler to imitate than those of more sexual film stars.[130] In 1954, style picture taker Cecil Beaton announced Hepburn the "public exemplification of our new ladylike ideal" in Vogue, and composed that "No one ever resembled her before World War II ... However we perceive the rightness of this appearance comparable to our chronicled needs. The evidence is that large number of impersonations have appeared."[129] The magazine and its British form much of the time wrote about her style all through the accompanying decade.[131] Alongside model Twiggy, Hepburn has been refered to as one of the key people of note who made being thin fashionable.[130] 

Added to the International Best Dressed List in 1961, Hepburn was related with a moderate style, typically wearing garments with straightforward outlines which underlined her thin body, monochromatic tones, and infrequent proclamation accessories.[132] In the last part of the 1950s, Audrey Hepburn advocated plain dark leggings.[133] Academic Rachel Moseley depicts the mix of "thin dark pants, level artful dance style siphons and a fine dark shirt" as one of her particular looks close by minimal dark dresses, noticing that this style was new when ladies actually wore skirts and high heels more regularly than pants and level shoes. 

Hepburn was specifically connected with French style architect Hubert de Givenchy, who was first employed to plan her on-screen closet for her subsequent Hollywood film, Sabrina (1954), when she was still